HMV Group has announced that it will be appointing administrators. Does this mark the beginning of the end for the UK’s last remaining high street music retailer?
Since 1921, HMV has been one of the most prominent musical presences on the UK’s high streets. Last night it was announced that the former giant was to go into administration following a year of financial crisis. In a statement, HMV said: “The board regrets to announce that it has been unable to reach a position where it feels able to continue to trade outside of insolvency protection and in the circumstances therefore intends to file notice to appoint administrators to the company and certain of its subsidiaries with immediate effect.”
HMV Group – which operates 239 HMV stores across the UK and Republic of Ireland and also owns the eight remaining Fopp stores – is the last major music retailer operating in the UK, having seen all of its rivals (including Virgin Megastores/Zavvi, Our Price, the remainder of the Fopp chain, Music Zone and MVC) fall by the wayside over the last decade. The decline of UK music retail reflects trends around much of the world, with the US lacking a major national music retailer since the closure of the Virgin Megastore chain in 2009 and, more recently, Virgin and Fnac facing difficulties in France.
A dying breed
It goes without saying that the changing nature of the music retail industry has had a profound effect on HMV over recent years, as supermarkets have increasingly attempted to undercut competitors on chart CDs, online retail has cast its ominous shadow over virtually every physical store in existence, music consumers have shifted en masse to downloads rather than physical sales and – if you believe the recording industry, at least – illegal downloads have taken their toll on profits.
However, despite the fact that many pundits have been predicting the demise of the record shop for at least 15 years, HMV’s business remained surprisingly profitable thanks to the development of an online retail presence and a change of focus in its physical stores. Recent years have seen the physical side of the business concentrate increasingly on DVD and Blu-Ray sales, video games, books, consumer electronics and even clothing rather than music. Aided no doubt by the collapse of Woolworths and Zavvi, HMV reported healthy, rising profits as recently as 2009. The company’s decline since then seems to indicate that the model may finally have stopped working.
Outdated business model
If the worst comes to the worst and HMV does eventually cease trading, it’ll join countless other businesses which have failed to cope with the changing nature of retail around the world. Like numerous other mainstays of the British high street – from book retailer Waterstones (which was briefly owned by HMV) to camera specialists Jessops and electrical retail chain Comet – HMV has fallen victim to increased consumer savvy and aggressive price competition from online rivals. For many consumers, high street stores now act as little more than showrooms – a place where we can go and browse the available options before heading home to purchase our chosen products online at a lower price.
HMV appears to have failed to convince consumers that it offers a more attractive service than the competition. Why should the average consumer make the effort to head to HMV rather than downloading from iTunes or even throwing a CD into their supermarket trolley alongside their loaf of bread and pint of milk? Why should they browse DVD box sets in HMV rather than use Lovefilm or Netflix? Why should they go and buy a video game at HMV when they can buy it from an online retailer and have it delivered to their door at a lower price? The business model may not be entirely outdated, but it’s surely dangerously close.
HMV and its equivalents in many other fields of retail are swimming against the tide. The few retail businesses which have prospered in the online era (and, let’s not forget, during a period of economic recession) have adapted to the changing market – often either by cutting costs even further and luring customers with bargain prices, or by turning in the opposite direction and offering a premium service with knowledgeable staff and higher levels of customer service.
Those bemoaning the death of another music retail institution conveniently avoid admitting one of the fundamental reasons why such businesses are struggling: customers are turning away from many of these shops in their droves, often because they can find a better or cheaper service elsewhere. Specialist independent stores and more competitive online retailers clearly contribute to HMV’s troubles.
Like all high street retailers, HMV must try and decide what it can offer its customers at a time when choice is greater than ever and consumers grow ever more cautious against a backdrop of recession and global financial crisis.
The future
The possibility of the administrator finding a buyer or reaching any other conclusion than liquidation would seem remote based on the precedent set by similar businesses over recent years, but early reports suggest industry experts remain optimistic that a buyer or investor may intervene before it’s all too late. Retail restructuring specialist Hilco, which owns HMV Canada, is reported to have shown an interest. Nevertheless, the long-term security of the business seems tenuous at best, with over 4,000 jobs at risk as a result.
Even if a buyer is found, the HMV business model surely requires serious attention. We’d like to think that might mean a focus on specialism and increased customer service – a return to the days when many branches offered a surprisingly varied selection of music, including vinyl and imports – but realistically the likelihood of HMV heading further down the path of discounted video games and cheap iPod accessories seems far more likely.
05.55 PM
>high street stores now act as little more than showrooms
I have literally seen people picking up things in shops and scanning bar codes with their smartphones to order it online there and then. When people will happily wait a few days to get something they’re already holding in their hand that much cheaper, it’s time to fix your business/pricing model.
The age of the high street is over, city centers are exactly the same all over the country and it’s about time that changed. I think and hope there’ll be a rise in trade for local/independent traders (even beyond music specialists) in the coming years.
Having said that, I do feel for the people that are potentially losing their jobs and the collapse of HMV will obviously have repercussions in other parts of the music distribution chain, but this is only the beginning.
08.26 AM
In my opinion, it’s not so much record stores problem, but more the bullying they get from big behemoths, like f.ex., Apple. The business model of the giants, tries to prevent any kind of competition. Apple, for instance, has a business model that boosts the sales of their products, like the Ipod (f.ex.).
I’m not a long time buyer of Music, being in my mid 20s, I advanced in age in par with the internet. I used Napster. It was transmitted by all the media, that the digital has more advantages. So, not till a couple of years ago, was I able to detract from the feeling of commodity and start to appreciate a physical format with all it’s glory. Nowadays, throughout my generation, I get the feeling that CD tends to be more like a novelty, only for aficionados. I know a lot of people, who don’t see the point of buying a CD, when they can pay much less for a mp3, who doesn’t occupy space. I leave Vinyl out of the equation, because it’s “not from my time”.
So to conclude, I think that the Digital music giants, plus the way people perceive the exist formats of music, are not in favor of physical stores (in general). Both should be changed, being the latter one, a worrying one for me, for the feeling I have is that the masses, don’t see music anymore as a work of art.
05.50 PM
A shame. Blockbuster video today. Same thing; media that can be consumed digitally (or torrented) killing off high street stores. Add in a bit of naughty tax business from the Amazons and Apples of this world. And the lack of infrastructure costs involved with not having irritating things like buildings in prime locations and staff getting paid above minimum wage. But hey; I’d be a hypocrite to judge it too harshly – I buy from iTunes and Beatport and I use Love Film (an Amazon co). Not sure where it leaves us. Fair to say I think that it leaves our industry that little bit worse off.
12.40 PM
Of course their business model is outdated, and of course this is mainly due to changing market and the interwebz. I.m.o. I would love to see the return of the smaller record store/ hmv-a-like if they have qualified personnel who actually can provide you with useful recommendations about music to listen to etc. Not just a 16 year old in desperate need of money. For physical shops to be prosperous, they should go the extra mile.