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Four Tet-Style Guitar Arpeggios With Spitfire Audio’s New Fink Signatures

In this new Passing Notes we use Spitfire Audio’s new Fink Signatures acoustic guitar library to program live-sounding guitar arpeggios, melodies and percussion.

Crisis Of Man: Core Values Vol. 1

To mark their 10th release, Crisis of Man has recently released the 10 track VA album Core Values Vol. 1…

Organising Samples With AI And Waves Cosmos

Get your unwieldy sample folder under control with Waves’ Cosmos, a free AI-powered sample organizer. We walk you through the process.

Massive Chords With Chord Voicings Across Synths and Ensemble Strings

In this new Passing Notes we spread chord voicings across multiple synths and instruments to create a powerful progression.

Balancing A Disco Track

We use compression, EQ, modulation and spatial widening to balance a disco mix and create focus.

Dirtying Up A Mix With Lo-Fi Texture And Vibe

We use Baby Audio’s Super VHS to add a faded lo-fi vibe to a house track.

Stephan Bodzin ‘Boavista’ Track By Track

Stephan Bodzin has just released ‘Boavista’ a 17 track synth odyssey. We asked him to run us through a handful…

Plugin Boutique Scaler 2: Your New Composition Assistant?

Can Plugin Boutique’s Scaler 2 help bridge the composition gap between creativity and music theory?

Using A Hardware Synthesizer As An External Effects Unit With Your DAW

Take advantage of all that hardware synths have to offer by using one as an external effects processor. We show you how with IK Multimedia UNO Synth Pro and Ableton Live.

Creative Vocal Pitch Processing

Pitch can be a powerful tool for creating tension in a breakdown. We use Zplane’s ElastiquePitch 2 to transform a vocal sample into a riser.

Creating 808-Style Basslines For Jungle, Trap And Footwork

08s have come a long way since the release of the drum machine. See how to use the 808-derived basses in Capsule Onyx to create multi-layered basslines for three bass music genres.

Creating A 3D Mix With Width And Depth

In this tutorial, we look at how to make track elements pop without losing mono compatibility.

Making An Electro Track With Nothing But A Snare Sample

Flex your sound design muscles by restricting yourself to one sample for every element in a song.

Using A Vocal Sample To Make Supporting Chords And Bass

We show you how to create useful MIDI note information based solely on an audio sample.

Lo-Fi Synth Lead

We show you how to make a gritty lo-fi analogue synth lead in the style of Mac DeMarco.

Using Spectral Processing To Add Instrument-Specific Effects To Stems

Spectral processing can open up possibilities when working with stems, from adding effects like delay, to targeting specific instruments for dynamics processing, and more. In this tutorial, we show you how.

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