In this quick tutorial, we demonstrate how to use compression to get a big reverb without the wash.

For this month’s Deconstructed, we take apart the arrangement of a deep house vocal classic, Joe Smooth’s ‘Promised Land’.

Hardware is fun, but how can we get it to play nicely with our DAW? In this Hardware Focus, we look at getting started with integrating hardware into your computer-based setup.

In this new Beat Dissected, we program a vintage acid house beat inspired by Armando’s classic ‘151’.

In this new Passing Notes we use Spitfire Audio’s new Originals orchestral instrument plug-ins to recreate two sections from the Detroit Producers’ collaboration with a live orchestra.

In this tutorial, we look at how to use the technique of reamping to add size and weight to dry sounds—both inside and outside your DAW.

Deconstructed is an ongoing series where we take apart the arrangement of a song to see what makes it work. This time, we’re going deep with ‘Lara’, an album cut from Montreal producer Marie Davidson.

In this tutorial, we explore how to bring vintage hardware-style analogue warmth and saturation to your productions with plugins.

Deconstructed is an ongoing series where we take apart the arrangement of a song to see what makes it work. This time, we’re looking at Kevin Saunderson’s Detroit techno classic, ‘Just Want Another Chance’.

In this tutorial, we’ll walk you through how to create dub-style dirty tape delays using standard plugins.