Synth Secrets
How To Make A Gated Pad Like Plaid ‘Clock’ Using Hive 2
In this Synth Secrets, we’re remaking Clock by Plaid using Hive 2. The key is in the LFO rates…
Synth Secrets
Synth Secrets is a series of programming tutorials in which we show how to make a range of…
Synth Secrets
Synth Secrets is a series of programming tutorials in which we show how to make a range of…
Synth Secrets
A bonafide classic, we show you how to make the synth parts in ‘The Sky Was Pink – Holden Remix’ using…
Synth Secrets
In this Synth Secrets, we’re going to be recreating Effy’s high energy rave-focused track ‘Not Yours’ using…
Synth Secrets
Synth Secrets is a series of programming tutorials in which we show how to make a range of classic and…
Synth Secrets
This month we’re creating an arpeggiated 303-style acid synth using Sylenth.…
Synth Secrets
Dial in some wobbly jungle bass business with Baby Audio’s surprisingly powerful BA-1 soft synth.
Synth Secrets
This time on Synth Secrets, we’ll be walking you through how to create an FM bell sound and an…
Synth Secrets
In this Synth Secrets, we’ll be showing you how to make an explosive FM lead sound inspired by Noisia…
Synth Secrets
This time on Synth Secrets we’ll be walking you through how to create a bassline inspired by Camo &…
Synth Secrets
Using Synthmaster, we recreate the synth parts in a mid 90s classic – ‘Eutow’.…
Synth Secrets
Here’s how to create a simple but enigmatic sweeping chord sound using KV331’s SynthMaster 2 that you simply can’t get without vector synthesis
Synth Secrets
In this tutorial, we’re going to build a harmonic-rhythmic pad with a variety of sounds through one of…
Synth Secrets
In this Synth Secrets, we’re going to use KV331 Audio’s SynthMaster2 to recreate the sound and synths of…
Synth Secrets
We go deep with the mod matrix in SynthMaster 2 to add rhythm and movement to a static sound.
Synth Secrets
In this Synth Secrets, we use Ableton’s Wavetable to remake the bonafide head-nodding funk Parliament classic, ‘Flash Light…
Synth Secrets
Additive synthesis isn’t as well-known as subtractive or FM but it’s perfect for harmonically rich sounds.
Check back soon…
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